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Could you be more specific?

The half steps are bifurcated, if that's what you mean.

Anyways it is more intricate then just that it's taking every third or so not of the theme and making a new theme with those notes not limited to an octave.

Also If you think the Notes were played wrong, then that could be, she did make some minor mistakes, but who cares.

This piece was purely methodical and very little was done to make it more musical, it was a fun experiment and I am currently working on a new piece.

Oh and the i.e. means those sets of notes, not specifically half steps.

The first theme literally was C4,B3,C#4,Bb3,D4,A3,Eb4,Ab3,E4,G3.  So one part goes C,C#,D,Eb,E and the other goes B,Bb,A,Ab,G.  This gave the idea of polytonality.

Then I would take every 3rd not to create a new theme using the original theme looped until I used all the notes, C,Bb,Eb,G,C#,A,E,B,D,Ab.

I did this multiple times while adding the original theme to it, which made the theme longer.